#Steven slate vcc setup order gain stage how to

Normally, my recordings will go to the dialogue editor, and the music department won't hear them until the final mix, because they have nothing to do with them. He was based at Pinewood Studios and IВ spent many of my lunch hours listening to his work and sharing information about my tracks with him.

He could start getting the best out of the vocals even before post-production started.

Simon Hayes: 'We were shooting so many vocal tracks on Les Mis that we knew that dialogue editing would be aВ huge job, so we brought in aВ very experienced dialogue editor, Tim Hands, who was on the set to familiarise himself with the tracks while we were recording. Hayes, McCann and Supervising Sound and Music Editor John Warhurst explain how they untangled this one. The team were dealing with 20 or more takes for each scene, nothing locked in time, and picture edits that never seemed to end, each of which required them to re-edit the vocals and guide piano. These performances needed to be edited before having orchestration overdubbed to them. However, getting the vocal performances in the can was only the beginning. Rather than constrain the singers to any pre-recorded backing track, accompaniment was provided live from aВ MIDI keyboard and relayed to the actors through earpieces. With aВ lot of imaginative thinking, clever technology and aВ ruthless approach to silencing the film set, the team managed to capture clean recordings of all the vocal performances, mostly on DPA lavalier microphones concealed in the actors' costumes. This, as we saw in last month's Inside Track, set aВ colossal challenge for the sound team led by Simon Hayes and Gerard McCann. When Tom Hooper signed up to direct the film version of the musical Les MisГ©rables, he insisted that all the singing would be recorded live. Here, Les Miserables director Tom Hooper (standing) consults conductor Stephen Brooker. President of Film Music for Universal Pictures Mike Knobloch was on hand at AIR Studios to take session photos of the orchestral overdubs.

#Steven slate vcc setup order gain stage how to

Not only did the Les MisГ©rables crew have to capture live singing on aВ film set: they then had to figure out how to overdub orchestral arrangements to it!